
) n'a pas hésité à prendre quelques risques. Son film PASSIO vient tout juste de sortir chez Dark Alley.Jesus est prêt à donner son amour à tous les hommes... surtout s'ils sont vicieux ! Et le dernier souper des Apôtres devient prétexte à une grosse orgie... |
Matthias von Fistenberg, a director, is using religious material as is basis for adult gay entertainment through Dark Alley Media, which is a gay adult entertainment studio based in New York. Passio will soon debut, and according to a press release issued by Dark Alley Media on prnewswire.com, is the personal interpretation of religious themes and stories of Matthias von Fistenberg. "Passio depicts a selection of incidents from the life of Jesus...the Latin word 'passio' means 'suffering,' and commonly it's translated into English as 'gospel.' The original Passio texts tell the story of Jesus according to his Disciples -- one of them being Matthias. Since my name is also Matthias, this movie is a gospel - a Passio. A version of the story according to me," said von Fistenberg. von Fistenberg compares his effort similar to that of many filmmakers before him, including that of Mel Gibson with his "Passion of the Christ." He wanted to do this at a time when the Pope refers to gays and lesbians as "satanic," and the Anglican church is split over the matter of them. He said, "The Last Temptation of Christ explored the humanistic aspect. Mel Gibson proved in Passion of the Christ that the naked body, whether suffering or not, is sexually attractive. Priest showed a gay priest lusting after Christ on the Crucifix. All of these are a prelude to my Passio...I just took it one step further: if Jesus has feelings, needs and wants aside from the ones God supplied him, why can't he also lust?" The director uses "Passio" to reflect upon his views of classic masterpieces of artwork, such as The Last Supper and Flagellatio. He said, "From Michelangelo to Mantegna, Piero Della Francesca to Paul Gauguin, images of Jesus Christ have offended, delighted, outraged, and inspired the devout...for each controversial image, the sacred and profane become intermixed in new ways, challenging viewers to rethink their own image of history, of religion, of spirituality, and of sexuality." He continued, "This [Passio] is the Gospel revisited by a modern artist...or, as some wish, merely a pornographer, acquainted with the body language of the underworld." |
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